For our first analysis symposium, we will focus on a classic piece by Anton Webern: his 5 Movements for String Quartet. We will be looking specifically at movements 2 and 3.
Download the score from the readings folder.
Continue reading Week 3 (Jun 15): Analysis Symposium #1This week, you will learn about postmodernism and its significance in music scholarship. You will also learn about narrative theory in literature and how it applies to music analysis.
Continue reading Week 1 (Jun 1): Broadly Applicable TechniquesFor our final analysis symposium, we’ll be looking at two recent R&B/hip-hop hits that borrow elements from soul. Both “Same Drugs” and “Broken Clocks” are very interesting lyrically, timbrally, and tonally.
Continue reading Week 12 (Nov 11): Analysis Symposium #3 (F19)This week we’ll learn how to analyze the structure and poetry of lyrics. This goes beyond the kinds of meaning-based lyric analyses you see on sites like Genius.com and looks instead at how the lyrics are written and what kinds of subtle messages might be present there. We will learn through Lori Burns’s excellent approach and then you’ll do your own analysis.
Continue reading Week 10 (Oct 28): Lyrics (F19)The final unit deals with pop music. You will need to familiarize yourself with pop form terminology if you are not already comfortable with terms like verse, chorus, prechorus, bridge, or refrain.
This week we’ll talk about my research specialty: timbre. (I won’t have you read my research, since I feel that might be awkward to respond to, but I did upload my dissertation to our course readings folder if you are interested.) We will focus on Kate Heidemann’s excellent article on vocal timbre, and you will analyze a song a la Heidemann.
Continue reading Week 9 (Oct 21): Timbre (F19)This week, you’ll read about the most prominent theory of narrative in the field of music theory and analyze a piece with narrative theory.
Continue reading Week 2 (Sep 2): Narrative (F19)Postmodernism had a huge impact on academia in the humanities, of which music theory is a part. This week involves some philosophy as you learn about Roland Barthes’s essay “The Death of the Author.”
Continue reading Week 1 (Aug 26): Intertextuality (F19)For our first analysis symposium, we will focus on a classic piece by Anton Webern: his 5 Movements for String Quartet.
Download the score from the readings folder.
Continue reading Week 3 (Jun 17): Analysis Symposium #1 (Su19)This week, you will learn about postmodernism and its significance in music scholarship. You will also learn about narrative theory in literature and how it applies to music analysis.
Continue reading Week 1 (Jun 3): Broadly Applicable Techniques (Su19)For our final analysis symposium, we’ll be looking at two recent R&B/hip-hop hits that borrow elements from soul. Both “Same Drugs” and “Broken Clocks” are very interesting lyrically as well as tonally.
[embedyt]https://www.youtube.com/watch?v=be37-T72DNk[/embedyt]
[embedyt]https://www.youtube.com/watch?v=zVc-K1kKkVk[/embedyt]
Continue reading Week 12: “Same Drugs” by Chance the Rapper; “Broken Clocks” by SZA (F18)
