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Analytical Techniques (MUSI 611)

Analytical Techniques (MUSI 611)

course website

Information

  • Syllabus (Su22)
  • Readings, scores, and recordings
  • Course Bibliography
  • Slack

Course Overview

  • Syllabus (Su22)
  • Week 1 (Jun 6): Broadly Applicable Techniques (Su22)
  • Week 2 (Jun 13): Techniques for Atonal Music (Su22)
  • Week 3 (Jun 20): Analysis Symposium #1 (Su22)
  • Week 4 (Jun 27): Techniques for Tonal Music (Su22)
  • Week 5 (Jul 4): Techniques for Pop Music (Su22)
  • Week 6 (Jul 11): Analysis Symposium #2 (Su22)
  • Week 7 (Jul 18): Writing a theory paper (Su22)
  • Final project (Su22)

Tags

  • alanis morissette
  • ani difranco
  • anton webern
  • atonal
  • byron almén
  • chance the rapper
  • edward klorman
  • form
  • Franz Josef Haydn
  • frederic chopin
  • giuseppe verdi
  • hepokoski darcy
  • hypermeter
  • intertextuality
  • james hepokoski
  • joseph straus
  • JS Bach
  • lorde
  • lori burns
  • ludwig van beethoven
  • lyrics
  • mark spicer
  • narrative
  • opera
  • orchestral music
  • performance
  • piano music
  • pj harvey
  • pop music
  • postmodernism
  • Richard Strauss
  • ruth crawford seeger
  • seth monahan
  • set theory
  • sonata form
  • sonata theory
  • string music
  • string quartet
  • tonality
  • tonal rhythm
  • tori amos
  • transformations
  • vocal music
  • warren darcy
  • wolfgang mozart

 

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Tag: byron almén

Week 1 (Jun 6): Broadly Applicable Techniques (Su22)

This week, you will learn about postmodernism and its significance in music scholarship. You will also learn about narrative theory in literature and how it applies to music analysis.

Continue reading Week 1 (Jun 6): Broadly Applicable Techniques (Su22)

Week 2 (Feb 1): Narrative (S21)

This week, you’ll read about the most prominent theory of narrative in the field of music theory and analyze a piece with narrative theory.

Continue reading Week 2 (Feb 1): Narrative (S21)

Week 2 (Aug 30): Narrative (F21)

This week, you’ll read about the most prominent theory of narrative in the field of music theory and analyze a piece with narrative theory.

Continue reading Week 2 (Aug 30): Narrative (F21)

Week 1 (Jun 1): Broadly Applicable Techniques (Su20)

This week, you will learn about postmodernism and its significance in music scholarship. You will also learn about narrative theory in literature and how it applies to music analysis.

Continue reading Week 1 (Jun 1): Broadly Applicable Techniques (Su20)

Week 2 (Sep 2): Narrative (F19)

This week, you’ll read about the most prominent theory of narrative in the field of music theory and analyze a piece with narrative theory.

Continue reading Week 2 (Sep 2): Narrative (F19)

Week 1 (Jun 3): Broadly Applicable Techniques (Su19)

This week, you will learn about postmodernism and its significance in music scholarship. You will also learn about narrative theory in literature and how it applies to music analysis.

Continue reading Week 1 (Jun 3): Broadly Applicable Techniques (Su19)

Week 2: Narrative (F18)

August 30 to Sept 5. This week, you’ll read about the most prominent theory of narrative in the field of music theory and analyze a piece with narrative theory. This week ends in an in-person meeting on Sept 5.
Continue reading Week 2: Narrative (F18)

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