For our first analysis symposium, we will focus on a classic piece by Anton Webern: his 5 Movements for String Quartet. We will be looking specifically at movements 2 and 3.
Note for Spring 2021: This piece is not serial, so you do not need to incorporate this technique in your analysis.
This week you will learn about 12-tone serial techniques and the variety of ways this can be implemented. You’ll learn how to identify row forms, do a row count, make a matrix, and interpret serial pieces. You will also do a guided analysis of a piece by Ruth Crawford Seeger, “Prayers of Steel” from Three Songs.
For our first analysis symposium, we will focus on a classic piece by Anton Webern: his 5 Movements for String Quartet. We will be looking specifically at movements 2 and 3.
This week you will learn about 12-tone serial techniques and the variety of ways this can be implemented. You’ll learn how to identify row forms, do a row count, make a matrix, and interpret serial pieces. You will also do a guided analysis of a piece by Ruth Crawford Seeger, “Prayers of Steel” from Three Songs.
This week you will learn about 12-tone serial techniques and the variety of ways this can be implemented. You’ll learn how to identify row forms, do a row count, make a matrix, and interpret serial pieces. You will also do a guided analysis of a piece by Ruth Crawford Seeger, “Prayers of Steel” from Three Songs.
Also: make a test comment on this post so that I can approve you as a commenter for next week’s discussion, and so that you can try out the comment function. Continue reading Week 5: Serialism (F18)