Inclusivity in Learning
Your success in this class is important to me. We will all need accommodations because we all learn differently. If there are aspects of this course that prevent you from learning or exclude you, please let me know as soon as possible. Together we’ll develop strategies to meet both your needs and the requirements of the course.
I encourage you to visit Disability Services to determine how you could improve your learning as well. If you need official accommodations, you have a right to have these met. If you have a documented learning disability or other condition that may affect academic performance you should: 1) make sure this documentation is on file with Disability Services (SUB I, Rm. 4205; 993-2474; http://ds.gmu.edu) to determine the accommodations you need; and 2) talk with me to discuss your accommodation needs.
- Review techniques of analysis that music theorists commonly use
- Critique and apply academic music theory literature
- Develop several crucial skills for the professional musician: a) analysis skills, through your assignments; b) writing skills, through your weekly responses; c) presentation skills, through your video presentations
MUSI 501, 502, and 516 or appropriate score on graduate placement exam.
This is a fully online course, with different “venues” for different activities.
- This website is for distributing information about assignments.
- Slack is for communication and collaborative work. You can also use Slack to ask questions to the whole class about assignments, etc.
- Blackboard is for submitting assignments and receiving grades/feedback.
Calendar of Topics
- Week 1 (Jun 1): Broadly Applicable Techniques
- Week 2 (Jun 8): Techniques for Atonal Music
- Week 3 (Jun 15): Analysis Symposium #1
- Week 4 (Jun 22): Techniques for Tonal Music
- Week 5 (Jun 29): Techniques for Pop Music
- Week 6 (Jul 6): Analysis Symposium #2
- Week 7 (Jul 13): Writing a theory paper
- Final project
Pace and workload
Due dates are typically Thursdays and Sundays unless otherwise noted—more details are given below in Assignments.
The summer version of this course is an accelerated and compressed 8-week version of the 15-week course that occurs in the fall semester. We will move very quickly. In comparison to the fall or spring semesters, taking a 3-credit class in the summer will feel more like a 6-credit course, because it moves twice as fast. Combine this with the rule of thumb that 1 credit hour = 3 hours of out-of-class work—you should expect to spend a lot of time spent on this class. Please be prepared for this!
- Name: Dr. Megan Lavengood
- Email: firstname.lastname@example.org
- Office: deLaski Performing Arts Building (PAB) A-421
- One-on-one appointments: Schedule a time at this link calendly.com/mlavengo or use your phone to scan the QR code to the right.
- There is no required text. Materials will be accessible online or on our readings page.
- You should have access to a microphone and camera for video chatting and making videos of yourself.
Recommended (not required):
- Spotify (app)
- Slack (app)
- An app for making black-and-white .pdf scans from your phone. I recommend ABBYY FineScanner, which has a free version suitable for our purposes. I have also used CamScanner.
Your grades and rubrics will be on Blackboard.
Expand each category for more details on how the grade is calculated.
Weekly assignments (reading, responses, analysis)
With few exceptions, each week will have the same assignment structure and due dates, as follows.
By Thursday, end of day
Most weeks, you will have two readings and/or videos to complete.
On Friday, please check in on Slack in the #reading-responses channel with some type of response about the reading. You might ask clarifying questions, summarize an important bit of it, or just relate to it in some way. You can also respond to someone else’s message (start a thread). This counts toward your participation grade (pass/fail). There’s no word count to worry about; I just want to see you engage with the reading.
By Sunday, end of day
You will submit your weekly analysis assignments on Sundays. Assignments are submitted on Blackboard, in .pdf format.
A few times during the semester, we will have group projects that I call “analysis symposia.” On symposium weeks, you will not have any additional reading. Instead, you will practice implementing the techniques you have already learned.
For each symposium, I will assign two pieces and divide students into groups. Within each group, half will do one piece, and half will do the other.
- You will begin with individual analyses. Make a selfie-style video explaining what you discovered in the piece. The video should be at least 5 minutes long, but no more than 10. You may wish to make some kind of visual to help illustrate your points, but this is not required.
- By Friday, submit this video in two places: uploading to your designated Slack channel and uploading on Blackboard. The Slack channel is for discussion with your peers, while Blackboard is for evaluation and grading by me.
- After submitting their individual analysis, each group member will use Slack to discuss how their findings interact with those of the other members. Approach discussion like a chat conversation rather than a response essay—ask people questions, wait for their replies—just have a conversation! Don’t be too stiff. Your participation in this discussion will earn another grade. I’ll evaluate these discussions on Monday of next week.
- I will grade both your discussion and your individual analysis as separate grades. Rubrics are always available on Blackboard.
- If you wish, you may revise your individual analysis in light of what you learned during the group discussion. Submit your revisions in the same place as your original on Blackboard, as a second attempt. You can make a new video if you like or you may submit something written if that’s easier. In the “comments” box on Blackboard, you must accompany your analysis with a paragraph explaining how the discussion influenced your analysis. Your revised grade will be averaged with your original grade.
Late work policy
The accelerated pace of this course means you will have a heavy workload. In light of this, falling behind in the course can be disastrous on your end and mine. This forces me to be quite strict with deadlines, and in general, late work will not be accepted. Of course, if there is an emergency or some other dire scenario, we should have a conversation about how to move forward so you can complete the course.
In the final project, you will analyze a piece of your own choosing, demonstrating your understanding of techniques learned in class.
The final project has two components: a video and a final paper.
Details on the content of the project will be fleshed out as the due date nears.
Mason is an honor code university. Read the honor code here.
As a faculty member and designated “Responsible Employee,” I am required to report all disclosures of sexual assault, interpersonal violence, and stalking to Mason’s Title IX Coordinator per university policy 1412. If you wish to speak with someone confidentially, please contact the Student Support and Advocacy Center (703-380-1434), Counseling and Psychological Services (703-993-2380), Student Health Services, or Mason’s Title IX Coordinator (703-993-8730; email@example.com).
Students must use their MasonLive email account to receive important University information, including communications related to this class. I will not respond to messages sent from or send messages to a non-Mason email address.