This week you will learn how to approach the nuances of rhythm in tonal music. You’ll get introduced to the concepts through Edward Klorman’s excellent summary of popular approaches, listen to several pieces by Strauss, Mozart, Bach, Haydn, and others, and do your own analysis of a song by Clara Schumann.
Watch the video below, which summarizes Part 1 of .
download slides – download transcript
Optional: Complete the Concept Check quiz on Blackboard to see if you are understanding these concepts.
Read Part II of (pages 13 ff.), where Klorman demonstrates the ways that hypermetrical regularity can be altered to various expressive effects.
Be sure to listen to recordings of each of the examples:
- Haydn, Symphony 104 (start at 2:38)
- Haydn, String Quartet Op. 77, No. 2
- Haydn, String Quartet Op. 76, No. 3
- Gilbert and Sullivan, “Three Little Maids”
- Beethoven, String Quartet Op. 59, No. 1 (typo in the reading!)
Due Thursday: Response
In #reading-responses on Slack, post a message with some type of response about the readings/videos. You might ask clarifying questions, summarize an important bit of it, or just relate to it in some way. You can also respond to someone else’s message (start a thread).
Here are some prompts you may wish to consider:
- Does being aware of hypermeter change your experience of the music? Or is it something you already intuitively sensed?
- What would you do differently to a phrase with irregular hypermeter as a performer or conductor?
- Go to Blackboard and navigate to your group blog.
- Click the “create blog entry” button, and paste your text directly into the text box, rather than uploading an attachment.
Due Sunday: Analysis assignment
Next, attempt your own hypermetrical analysis of Clara Schumann, “Sie liebten sich beide.”
- Listen to the song several times while looking at the score and/or a translation of the lyrics.
- Next, annotate your score with numbers to indicate your hypermetrical analysis.
- Each measure = one hyperbeat.
- Model your annotation on Klorman’s exs. 10 and 12.
- You should normally be counting the measures 1 through 4.
- When you have less/more than 4 measures in a hypermeasure, clearly indicate where you are hearing a reinterpretation/manipulation.
- Write a paragraph that succinctly explains your reinterpretations/manipulations (250 words max). Use the vocabulary from in your explanation.
- You will be assessed on the following concepts:
- Identification of typical 4-measure hypermeasures
- Identification of reinterpretations/manipulations
- Written explanation of reinterpretations/manipulations
- Use of tonal rhythm vocabulary
- You will be given detailed feedback through the rubric. Click “View rubric” in the gradebook to access this.
- Assignments are always graded pass/fail, with a threshold of 70% to pass.
- You should submit both your score and your paragraph.
- Submit your assignment on Blackboard.
- Upload your assignment as a .pdf attachment. Please do not use other file types.
If articles are not available online, you should be able to find them in the Readings folder.