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Analytical Techniques (MUSI 611)

Analytical Techniques (MUSI 611)

course website

Information

  • Syllabus (Su22)
  • Readings, scores, and recordings
  • Course Bibliography
  • Slack

Course Overview

  • Syllabus (Su22)
  • Week 1 (Jun 6): Broadly Applicable Techniques (Su22)
  • Week 2 (Jun 13): Techniques for Atonal Music (Su22)
  • Week 3 (Jun 20): Analysis Symposium #1 (Su22)
  • Week 4 (Jun 27): Techniques for Tonal Music (Su22)
  • Week 5 (Jul 4): Techniques for Pop Music (Su22)
  • Week 6 (Jul 11): Analysis Symposium #2 (Su22)
  • Week 7 (Jul 18): Writing a theory paper (Su22)
  • Final project (Su22)

Tags

  • alanis morissette
  • ani difranco
  • anton webern
  • atonal
  • byron almén
  • chance the rapper
  • edward klorman
  • form
  • Franz Josef Haydn
  • frederic chopin
  • giuseppe verdi
  • hepokoski darcy
  • hypermeter
  • intertextuality
  • james hepokoski
  • joseph straus
  • JS Bach
  • lorde
  • lori burns
  • ludwig van beethoven
  • lyrics
  • mark spicer
  • narrative
  • opera
  • orchestral music
  • performance
  • piano music
  • pj harvey
  • pop music
  • postmodernism
  • Richard Strauss
  • ruth crawford seeger
  • seth monahan
  • set theory
  • sonata form
  • sonata theory
  • string music
  • string quartet
  • tonality
  • tonal rhythm
  • tori amos
  • transformations
  • vocal music
  • warren darcy
  • wolfgang mozart

 

View archives

Summer 2020

  • Week 1 (Jun 1): Broadly Applicable Techniques (Su20)
  • Week 2 (Jun 8): Techniques for Atonal Music (Su20)
  • Week 3 (Jun 15): Analysis Symposium #1 (Su20)
  • Week 4 (Jun 22): Techniques for Tonal Music (Su20)
  • Week 5 (Jun 29): Techniques for Pop Music (Su20)
  • Week 6 (Jul 6): Analysis Symposium #2 (Su20)
  • Week 7 (Jul 13): Writing a theory paper (Su20)
  • Final project (Su20)
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