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Analytical Techniques (MUSI 611)

Analytical Techniques (MUSI 611)

course website

Information

  • Syllabus
  • Readings, scores, and recordings
  • Course Bibliography
  • Slack

Course Overview

  • Syllabus
  • Broadly Applicable Techniques
    • Week 1 (Aug 23): Intertextuality
    • Week 2 (Aug 30): Narrative
  • Techniques for Atonal Music
    • Week 3 (Sep 6): Set Theory
    • Week 4 (Sep 13): Serialism
    • Week 5 (Sep 20): Analysis Symposium #1
  • Techniques for Tonal Music
    • Week 6 (Sep 27): Tonal Rhythm
    • Week 7 (Oct 4): Sonata Theory
    • Week 8 (Oct 11): Analysis Symposium #2
  • Techniques for Pop Music
    • Week 9 (Oct 18): Timbre
    • Week 10 (Oct 25): Lyrics
    • Week 11 (Nov 1): Tonality in Pop Music
    • Week 12 (Nov 8): Analysis Symposium #3
  • Week 13 (Nov 15): Project preparation
  • Final project

Tags

  • alanis morissette
  • ani difranco
  • anton webern
  • atonal
  • byron almén
  • edward klorman
  • form
  • Franz Josef Haydn
  • frederic chopin
  • giuseppe verdi
  • hepokoski darcy
  • hypermeter
  • intertextuality
  • james hepokoski
  • joseph straus
  • JS Bach
  • lorde
  • lori burns
  • ludwig van beethoven
  • lyrics
  • mark spicer
  • narrative
  • opera
  • orchestral music
  • performance
  • phrase
  • piano music
  • pj harvey
  • pop music
  • postmodernism
  • Richard Strauss
  • ruth crawford seeger
  • serialism
  • seth monahan
  • set theory
  • sonata form
  • sonata theory
  • string music
  • string quartet
  • tonality
  • tonal rhythm
  • tori amos
  • vocal music
  • warren darcy
  • wolfgang mozart

 

View archives

Techniques for Atonal Music (F19)

  • Week 3 (Sep 9): Set Theory (F19)
  • Week 4 (Sep 16): Serialism (F19)
  • Week 5 (Sep 23): Analysis Symposium #1 (F19)
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