Skip to content
Analytical Techniques (MUSI 611)

Analytical Techniques (MUSI 611)

course website

Information

  • Syllabus
  • Readings, scores, and recordings
  • Course Bibliography
  • Slack
  • Set up a one-on-one meeting

Course Overview

  • Syllabus
  • Broadly Applicable Techniques
    • Week 1 (Jan 25): Intertextuality
    • Week 2 (Feb 1): Narrative
  • Techniques for Atonal Music
    • Week 3 (Feb 8): Set Theory
    • Week 4 (Feb 15): Serialism
    • Week 5 (Feb 22): Analysis Symposium #1
  • Techniques for Tonal Music
    • Week 6 (Mar 1): Tonal Rhythm
    • Week 7 (Mar 8): Sonata Theory
    • Week 8 (Mar 15): Analysis Symposium #2
  • Techniques for Pop Music
    • Week 9 (Mar 22): Timbre
    • Week 10 (March 29): Lyrics
    • Week 11 (Apr 5): Tonality in Pop Music
    • Week 12 (Apr 12): Analysis Symposium #3
  • Week 13 (Apr 19): Project preparation
  • Final project

Tags

  • alanis morissette
  • ani difranco
  • anton webern
  • atonal
  • byron almén
  • edward klorman
  • form
  • Franz Josef Haydn
  • frederic chopin
  • giuseppe verdi
  • hepokoski darcy
  • hypermeter
  • intertextuality
  • james hepokoski
  • joseph straus
  • JS Bach
  • lorde
  • lori burns
  • ludwig van beethoven
  • lyrics
  • mark spicer
  • narrative
  • opera
  • orchestral music
  • performance
  • phrase
  • piano music
  • pj harvey
  • pop music
  • postmodernism
  • Richard Strauss
  • ruth crawford seeger
  • serialism
  • seth monahan
  • set theory
  • sonata form
  • sonata theory
  • string music
  • string quartet
  • tonality
  • tonal rhythm
  • tori amos
  • vocal music
  • warren darcy
  • wolfgang mozart

 

View archives

Techniques for Atonal Music (F19)

  • Week 3 (Sep 9): Set Theory (F19)
  • Week 4 (Sep 16): Serialism (F19)
  • Week 5 (Sep 23): Analysis Symposium #1 (F19)
Proudly powered by WordPress